'50s Wind P-90 Dogear
Item #: 10-302
Optional Add-Ons
Product Details
The Lollar 50s Wind P-90 is based on the pickups found in electric blues legend Sean Costello’s 1954 Les Paul Goldtop. Our 50s Wind P-90s are a faithful tribute based on Jason’s careful reverse engineering of Sean’s original pickups. They use lower output magnets specifically degaussed for a bright, percussive tone with plenty of cut. The 50s Wind P-90 isn’t as hot as our Standard P-90 and it puts more emphasis on the top end, with much less of the typical P-90 midrange “grind.” They’re a perfect fit for players who want a clear and chimey P-90 sound, and those who draw inspiration from Sean and the 50s- and 60s-era work of electric blues heavy hitters like Freddie King and Hubert Sumlin.
Avg. DC: Neck 7.1K, Middle 7.2K, Bridge 7.4K (Read about DC resistance)
Recommended Potentiometers: 500k
Recommended Capacitor: 0.022μF
You can also purchase a Shim Pack for Dogear pickups, which contains the six most commonly used shims. Shims can be used individually, or stacked for optimal height.
P-90 Pickup Comparison
Not sure which of our P-90 models is right for you? Be sure to check out the video below in which we compare the tone of several of our P-90 models.
Use the sizing chart below to determine the correct size Dogear to order.
Pickup Dimensions
(Shown with covers)
• Short Dogear (PDF)
• Medium/Narrow Dogear (PDF)
• Medium/Wide Dogear (PDF)
• Tall Dogear (PDF)
Lollar P-90 '50s Wind Dog Ear Pickups
Above soundfiles played by Greg Timmons with a Fender Brown Vibrolux and a Lollar SG.
Black
Cream
Matte Black
Matte Cream
Colors shown here may vary slightly from actual colors due to differences in computer monitors.
Frequently Asked Questions
What values of potentiometers and capacitors do you recommend for P-90 pickups?
The most common/traditional choices are 500k pots (both volume and tone) and .022μF caps—and these are the values we typically recommend. That said, there are no hard and fast rules. You can read more about how different pot and cap values affect tone in this two-part blog post: Part I - Pots, Part II - Caps.
How far from my strings should I set my P-90 pickups?
With two exceptions—our P-90 Staple and Alnico Pole P-90—all of our P-90s have adjustable poles. Your poles should be adjusted so they are as close as possible to the strings without actually touching them. We recommend starting with a 1/8” gap between the top of your pickup’s poles and the bottom of the strings and slowly reduce the distance. Be sure to check that the strings don’t hit the poles when you’re playing or muting the strings with the palm of your hand, and that there is clearance when you’re fretting high up the neck.
Do you make noiseless P-90s?
We do not offer a noiseless P-90 dogear pickup. However, our DC-90 is a hum-cancelling soapbar pickup that was inspired by our P-90's tone.
Do you offer a third wire on P-90s—like you do on your Tele neck pickups—for series/parallel or in/out of phase switching?
We can do a jacketed two-conductor wire with P-90s that will allow you to take advantage of in/out of phase or series/parallel wiring for a small per-pickup upcharge—contact us for pricing and details.
Do you offer F-spaced P-90s?
All of our Soapbar P-90 bridge pickups are available as F-spaced, except for our P-90 Staple. As the strings taper from the bridge toward the nut, there is no need for F-spaced neck pickups.
Can you explain the difference between the 50s Wind and Low/Standard/High Wind P-90s?
The Low/Standard/High Wind P-90s are variations on the same pickup. They use the same types of magnets and wire. They’re built the same way but with fewer turns in the case of the Low Wind and more turns for the High Wind.
What They Are Saying