Original '58 Jazzmaster®
Item #: 10-705
Product Details
To voice our Original '58 Jazzmaster® pickup we referenced the original pickups in Jason Lollar’s pre-production Jazzmaster®. The result is a pickup true to the unique and recognizable Jazzmaster® tone, but with a more percussive low end and clearer, more articulate midrange than modern stock Jazzmaster® pickups. Our bridge pickup is also hotter for better volume and tone balance between neck and bridge positions.
Avg. DC: Neck 8.4K, Bridge 8.8K (Read about DC resistance)
Recommended Capacitor: 0.047μF
Recommended Potentiometers: 250k or 1meg 1meg pots are "vintage correct" and give a brighter overall tone than 250k pots, but either will work. It's a matter of preference.
Pickup Dimensions
(Shown with cover)
Original '58 Jazzmaster Pickups
All Jazzmaster soundfiles with clean tone were played by Greg Timmons using a 1959 Fender Jazzmaster through a Fender Super Reverb.
All Jazzmaster soundfiles with dirty tone were played by Greg Timmons using a 1959 Fender Jazzmaster through a 1958 Fender Deluxe amp.
Black
Parchment
White
Cream
Colors shown here may vary slightly from actual colors due to differences in computer monitors.
What They Are Saying
Brett Kingman demo of the Lollar Jazzmaster Pickup
Frequently Asked Questions
Do your Original '58 Jazzmaster pickups use staggered or radiused pole pieces?
Yes, these pickups have a pole piece radius of approximately 9.5”. We find that this is a sweet spot and works well even with guitars that have different fingerboard radii. We do not offer custom radius pickup builds.
What values of potentiometers and capacitors do you recommend for Jazzmaster pickups?
Vintage Jazzmasters (along with Tele Deluxes and Thinlines among others) used 1meg pots, which gives the guitar a lot of brilliance and presence. Many players today find that sound to be a little on the harsh side, so we generally recommend 250k pots with a .047 cap as we would for a Strat or Tele. That said, there are no hard and fast rules. You can read more about how different pot and cap values affect tone in this two-part blog post: Part I - Pots, Part II - Caps.